By Matt's Gallery on 31 January 2017
Current Ian McKeever, Against Architecture, Matt’s Gallery, private view 05 February 3 – 6pm, exhibition runs 09 February – 19 March 2017, Thursday – Sunday, 12 – 6pm For his fourth exhibition at Matt’s Gallery, Ian McKeever is exhibiting a selection from two recent series, Eagduru and Against Architecture (both 2012-13), which combine painting and […]
Posted in News | Tagged 12-hour action group, AftroScots, Against Architecture, Alberta Whittle, alchemy, Alexis Hunter, Alice Oswald, Ambika P3, An Introduction to Bliss for Two Voices with Chorus, Annabel Nicolson, Anne Bean, Artangel, astrology, At the Center of the World, audio, Benedict Drew, Blackout, Bluecoat, Bolder 2, Bryan Biggs, Cabinet 62, canada, Casebooks, Coleman Project Space, Cooper Gallery, Cullinan Richards, Deeper in the Pyramid, Dr Lauren Kassell, Dr Natalie Kaoukji, Dundee, Eagduru, Elizabeth Magill, Emit, Esther Leslie, Evaporations, Fargo, Fargo Film Festival, galerie de l'UQAM, Galleri Susanne Ottesen, Gallery 4, Gallery of Modern Art, Georgina Starr, Glasgow, Glynn Vivian Art Gallery, GoMA, Graham Fagen, Hackney Council, Ham and Mustard and other forms of Abstract Expressionism, Hammer Museum, Hanna Tuulikki, He Chengyao, HTBA, Hull, Hull Time Based Arts, Humber Street Gallery, Ian McKeever, Imogen Stidworthy, Imperfect geometry for a concrete quarry, Irineu Destourelles, Jeremy Deller, Jimmie Durham, John Akomfrah, John Frankland, John Latham, Jordan Baseman, Jordanstone College of Art & Design, Kalkbrottet, KAPUT, Limhamn, Linder, Lindsay Seers, Liverpool, London, louise dery, Mabley Green, Mark Leckey, Mary Kelly, Matt's Gallery, Melanie Jackson, Michael Maziere, milk, montreal, Mother Tongue, Negative Capability, North East Contemporary Arts Network, Nowhere Less Now 7, of other spaces: where does gesture become event?, painting, PEER, Performance Magazine Online, Polygraphs, Portrait of Alvera Coke (AKA Mama Tosh), possessions_inc, Post Reality, power, prophecy, Public View, Rayanne Bushell, Re-Rooted, Richard Grayson, Richard Napier, Rita Harris, ROOT Festival, Rose English, sculpture, Simon Forman, Sion Parkinson, Sonia Boyce, swansea, Sweden, Tako Taal, The Artangel Collection, The Slave's Lament, University of Cambridge, University of Westminster, USA, Verlag der Buchhandlung Walter Konig, video, wales, Walker Art Gallery, Yinka Shonibare, Yoko Ono |
By Matt's Gallery on 30 November 2016
Current Leah Capaldi, Lay Down, Matt’s Gallery’s new temporary space, 11 November – 18 December 2016, Friday – Sunday, 12 – 6pm Lay Down is the first major solo show by artist Leah Capaldi. The exhibition opens Matt’s Gallery’s temporary new space in Bermondsey, marking a new era for the gallery as it moves south […]
Posted in News | Tagged 12-hour action group, 1970s, 22/2/1992, 5A Studios, A Crack in the Light, A Tale I Know Nothing About, abstract film, abstraction, activism, Adele Patrick, Al Gunby, Alison Turnbull, Amelia Jones, American West, An Introduction to Bliss for Two Voices with Chorus, Angus Braithwaite, Anne Bean, Art Council England, Art Seen Contemporary Projects and Editions, Artangel, Arthur Manzo, Artist News, Artists News, audio, Barbara Capaldi, Benedict Drew, Bergen Triennale, Bermondsey, Bill Roberts, binaural, Blackout, Blackpool, Bless Klepcharek, Body, Bogota, Bolder 2, British Art Show 8. Southampton City Art Gallery, CCA, Centre of Contemporary Art, Centro de Memoria, Cheyenne, Close-Up Cinema, Cloud Diagram, Columbia, commission, Concreta Magazine, Cooper Gallery, Cowboy, Cyprus, decima street, Dee Smith, Derry, Divided Self, Dolph Projects, Domestique, Duncan of Jordanstone College of Art & Design, Dundee, dystopia, East London, Edge of Frame: Elemental Animation, Elias Bate, Eliza Gluckman, Elliot Ross, embodiment, Essex Road, Essex Road III, EXCHANGE, femininity, film, Fiona Crisp, gender codes, Glasgow Women's Library, Glynn Vivian Art Gallery, Gordon Raeburn, Graham Fagen. NEON: The Charged Line, Grundy Art Gallery, Hackney Council, Hayley Newman, Imogen Stidworthy, Imperfect geometry for a concrete quarry, installation, Jason Moffat, Jennet Thomson, John Frankland, John Hansard Gallery, Jonathan Bassett, Jonathan Caruana, Jordan Baseman, Josh Gardener, Kalkbrottet, KAPUT, landscape, Laura Mulvey, Lawrence Leaman, lay down, leah capaldi, lecture, Lee Smith, Liberties, Limhamn, Lindsay Seers, Little Boy, Liverpool, London, London Short Film Festival, Londonderry, Lucy Day, Lynda Morris, Mabley Green, Malmo, Mansion, Marina Vishmidt, Mas Arte Mas Accion, Matt's Gallery, Mike Nelson, motherhood, Multiplicities II, Negative Capability, Nicosia, North East Contemporary Arts Network, North London, Nowhere Less Now, of other spaces: where does gesture become event?, online commission, Paul Russell, Paz y Reconciliacion, PEER, Penzance, performance, petition, photography, possessions_inc, Price and Myers, Re:Bandera, Richard Grayson, Roddy Canas, sculpture, Sequencer, sex, Sex Discrimination Act, Shoreditch Park, somantic effects, Southampton, spectatorship, swansea, Sweden, systems of representation, The Artangel Collection, The Crazy House, The Dissolution of the Western Empire, the horror of the modern world, The Saw Tooth Wave, This Is Tomorrow, Thomas More, Tim Lucas, Tintype, University of Brighton, Utopia, video, wales, Walker Art Gallery, Wapiti, War/Garden (after Tubby), West Taylor, women, Wyoming, Wyoming State Archive |
By Matt's Gallery on 1 October 2012
October news from Matt’s Gallery: Revolver continues at the gallery and Brian Catling’s novel The Vorrh is launched. Artists’ exhibitions elsewhere include projects by Mike Nelson, Fiona Crisp, and Emma Hart. Nathaniel Mellors, Benedict Drew and Ben Rivers are shortlisted for the prestigious Jarman Award.
Posted in News | Tagged 10 x 10 London, 408 tons of imperfect geometry, 971 horses and 4 zebras, A Matter of Life and Death and Singing, Acts of Voicing, AFTER/HOURS/DROP/BOX, Alison Turnbull, ANDOR, Anna Barham, Ariadne's Thread, Artangel, Artists at Work, Beacon Art Projects, Benedict Drew, Beyond the Corrupted Eye, Brian Catling, Busan Biennial: Garden of Learning, C-salen, Casa del Lector, Cinéphémère and Club Silencio, CIRCA Projects, COMPASS, Crazee Golf, Emma Hart, Fiona Crisp, Fruitmarket Gallery, Galápagos, Gallery North, GoMA, Graham Fagen, Graham Gussin, Here comes Franz, Ikon, Imogen Stidworthy, Inspired Editions: Prints and Multiples, Intersections: Science in Contemporary Art, Jarman Award, Jennet Thomas, Jimmie Durham, Jordan Baseman, Kiasma, Large Glass, Lindsay Seers, Liverpool Biennial, M HKA, Maastricht, Malmö Konsthall, Mardin Bienali, Media City Seoul, Mike Nelson, Moby Dick Big Read, Nathaniel Mellors, Neugerriemschneider, Nowhere Less Now, Oaxaca FilmFest, Ourhouse, Outpost, Paraphrasing Babel, Paul Rooney, Rachel Lowe, Revolver, Richard Grayson, Robert Burns Birthplace Museum, Robin Klassnik, Roy Voss, School of Change, Secretion, Somerset House, space that saw (platform for a performance in two parts), Statens Museum for Kunst, Susan Hiller, Tai Shani, Tales of the City, The Tin Tabernacle, The Voice and the Lens, The Vorrh, Tina Keane, Tintype Gallery, TO DO, Victoria Gallery and Museum, Weizmann Institute of Science, What is a Document?, Will Cobbing, Willie Doherty, Wimbledon Space, With an Apple I Will Astonish, Württenburger Kunstverein Stuttgart, Zacheta National Gallery of Art |
By Matt's Gallery on 1 August 2012
Revolver, a new curatorial initiative at Matt’s Gallery, opens. Roy Voss, Cast opens at Dilston Grove. Projects elsewhere include Lindsay Seers’ Artangel commission, Imogen Stidworthy in Busan Biennale and Nathaniel Mellors in Media City Seoul.
Posted in News | Tagged 408 tons of imperfect geometry, A drawing while waiting for an idea, A Matter of Life and Death and Singing, Alison Turnbull, Amikam Toren, Andrew Kötting, Anne Bean, Artangel, Brian Catling, Busan Biennial, Cast, CCA, Crazee Golf, David Osbaldeston, Dilston Grove, dOCUMENTA (13), Dutch Pavilion in Venice, Emma Hart, European Live Art Archive, Gallerei Festiviteten, Gary Stevens, Glasgow Print Studio, GoMA, Graham Fagen, Hayley Newman, Here comes Franz, I Would Breathe Water, Imogen Stidworthy, Jarman Award, Jimmie Durham, Jordan Baseman, Juneau Projects, Large Glass, Layla Curtis, Lindsay Seers, Liverpool Biennial, Lucy Gunning, M HKA, Malmö Konsthall, Media City Seoul, Mike Nelson, Møte (Meeting), Nathaniel Mellors, Neugerriemschneider, Niet Normaal: Difference on Display, Northern Art Prize, Nowhere Less Now, On the Edge of the World, Oriel Myrrdin Gallery, Ourhouse E3 feat BAD COPY, Paul Carter, Paul Rooney, Pursuit of Perfection: the Politics of Sport, Revolver, Richard Grayson, Richard Wilson, Robin Klassnik, Roy Voss, Salle de Bains, Sarah Scout Presents, SF Shorts, South London Gallery, space that saw (platform for a performance in two parts), Susan Hiller, Tales of the City, The all-resistant eye, The Bluecoat, The London Open, The Medium is the Message: words in printmaking since the 1960s, The Tin Tabernacle, Tintype Gallery, Victory Gallery and Museum, What We Have Done What We Are About To Do, Whitechapel Gallery, Whitstable Biennale, Willie Doherty, Zacheta National Gallery of Art |